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Exclusive vs. Relationship
Jack has hinted that he's started writing - "I wrote a song yesterday, the last couple of weeks, i've just been endlessly thinking about this title: Let's Play the Victim. I definitely have a lot, a lot of songs together for another White Stripes album. I just don't know when we're gonna record it yet. I just have to take a break from the band for a second, because it's just been consuming -- all-consuming, you know? I need to take a step back, and get reinspired, and take a breath. We just go into the studio, play the best we can and let the songs shape the sound of the album. I've been writing a lot at home. I finally got a little hand-held recorder to start recording my ideas whenever I think of them. I kept thinking of melodies and then forgetting them. I finally got smart and bought a recorder. It's nice that way - you remind yourself. There was one song for this new record, there was a melody I'd been whistling, two years ago I whistled it for like a week. I kept trying to whistle it to remember it. That was how I used to do it. But I forgot it completely after that, suddenly I was at a friend's house, and it came back. I whistled it again. I couldn't believe I'd remembered it from two years ago! So I think that's turning into something really interesting now. It takes a while. Once this rumour seeped from the Detroit grapevine - fueled by a story in the Detroit Free Press that casually mentioned the "fact" of the pair's marital status, along with documents that appeared on the internet, purporting to be the Whites' marriage and divorce papers - it was all anyone wanted to ask them about. The one thing the fucking media hates is not being able to dissect someone, so that every little part of their existence can be written as a soundbite in a paragraph. What they want is, 'Jack White, 26 years old, likes race cars and soccer, grew up in the inner city of Detroit and is now top of the world. Can't stand chocolate ice cream. No, that's not what you need to know about, that's got nothing to do with the music we make. What we create, you can talk about. What the songs are, how we present them live, and what the aesthetic is, art-wise, to what we're creating. It's the same thing as asking Michelangelo, 'What kind of shoes do you wear? In the end, it doesn't really matter, because I always think, in 20 years' time, the only thing that's going to be left is our records and photos. If we're doing something meaningful with those, that's what will live for ever, so that's what's really important. He attended a mostly black high school, but he didn't embrace the prevailing hip-hop music. People have been asking about my childhood a lot since! It was a pretty normal childhood. I was very, very shy. But back then, I was shy to the point where I didn't speak. Other than that, it was pretty normal. People had the same attitude they had it high school. Nobody was serious about what they wanted. About 15 or 16 I picked up the guitar - I used to play guitar with my friends after school. We'd record Bob Dylan songs on 4-tracks. I remember when I first started playing guitar, I was like, "I never want to be a guitar player," because everybody on the block plays guitar. You know, how are you gonna stand out? You're just gonna be one of a million people. I hink being a drummer is the best thing for a guitar player. It just puts you so in tune with rhythm and changes. And all those rhythms start coming out through your hands when you're playing. It's a great thing. When my parents moved out, they left a piano and I taught myself how to play it. I don't really know what it is I'm doing. The only job I could think of was one of those Elvis impersonators that drops from a plane. They would marry in in South Lyon, and Jack would take his wife's surname. The following timeline is a bit shady because Jack was with multiple bands during certain periods, so if I have any mistakes just contact me and let me know. I started playing guitar when I was a teenager 'cause I got a hold of a four-track and I wanted to be able to play drums to something. I taught myself guitar just so I could record something to play drums to. And I just ended up learning it. Within a year, he got really good. At the time we had another kid from Cass Tech -- Dominic Suchyta -- and we played together. Then Dominic went off to school in East Lansing, so Jack and I went on as a two-piece, from the fall of '93 through ' It was just the two of us -- guitar and drums. We had to stop because the drummer couldn't play out anymore. He didn't have time. So one day my sis comes up when I'm practicing one time. I said, 'OK, sit behind the drums. It sounded really nice. She played like such a child; it was something fresh. Coming from that Upholsters thing. That was like a full on drummer, to someone who played so childlike, like Meg does, that was nice. It's all about the feeling. So much of the stuff is self-taught; so much of the music they're creating can't be taught. It's people making the music they want to hear. It's raw and intuitive. It's not technical, and it shouldn't be. As for their first show, an opening gig with the Hentchmen - Jack: They had an open-mike night, and there was only, like, ten or fifteen people there. We played three songs, one of which was "Love Potion Number Nine. We were shocked that people dug what we were doing. When me and Meg started playing in Detroit, we didn't have any friends. And we thought people were going to hate us. We started going to shows and met people into sort of garage rock. And they seemed like real obscurest, real record-collector-type people. When we first played we thought, 'aw, we're not doing any particular thing. The first show--I couldn't believe it. And all of a sudden we had friends and people to talk to. The band went through about 11 different drummers, and at one point good ol' Jack "Doc" Gillis was banging away in the background. Jack was a lot younger than we were. He wasn't the most technical drummer, thankfully -- not a Neil Peart-ish drummer. Everybody in the band was like, "Wow! His instincts were really great. I think it was a good thing for him just to see what it was like to be in a band that toured -- and probably see what kind of mistakes we made. I do remember the first show when he played drums: For an encore he came up and sang some Elvis song. People where just shocked by his passion for it. At that show, I thought that if I wrote my own songs and people still connected, that would be better. But that's hard when you have five people in the band. That's one of the great things about the White Stripes, because he can change keys in a song. He and Meg are locked in. From early on, they had that down. He was always passionate about keeping things fresh, keeping the inspiration. If we practiced a song a few times in a row, it would be played three different ways.
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