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Helmut Berger plays the title role as a loner tormented by unrequited love for his cousin, Empress Elisabeth of Austria Romy Schneider , an obsession with the music of Richard Wagner, and excessive state-funded expenditures. Saturday, June 16, 1: As in similar Hollywood-plays-itself melodramas such as Sunset Boulevard and The Bad and the Beautiful, Bellissima both romanticizes the power of celluloid dreams and delivers a cuttingly cynical takedown of the industry. Sunday, June 10, 3: Once again the actor is cast as an emblem of Old World honor passing into obsolescence, here a retired professor living out a quiet retirement in his art-stuffed Roman palazzo; his dignified solitude is drastically upended by a turbulent marchesa a serpentine Silvana Mangano and her bisexual boy toy Helmut Berger who insinuate themselves into his life. Visconti masterfully interweaves a provocative shuffling of ideas—on class, sex, art, fascism—in what is ultimately his own disquieting confrontation with mortality. Friday, June 15, 9: Saturday, June 16, 8: Friday, June 8, 6: When his tormented wife Laura Antonelli pursues a dalliance with a writer, the full monstrousness of his chauvinism is unleashed. Working with a late-career rigorousness, Visconti returns one last time to the luxuriant, red velvet world of the 19th century, stripping away operatic excess in favor of a supremely controlled emotional intensity. Saturday, June 16, 6: A bewhiskered Burt Lancaster is the leonine patriarch of a ruling class Bourbon family in the last gasps of its dominance as Garibaldi and his redshirts upend social order and a new spirit ascends—embodied by beautiful people Alain Delon and Claudia Cardinale. With fastidious attention to period detail, Visconti evokes a gilded world fading into oblivion, his camera gliding over baroque palazzos, magnificent banquets, and ornate ceremonies. It all culminates in a majestic, dusk-to-dawn ball sequence that is as poignant as it is breathtaking. Restoration funding by Gucci and The Film Foundation. Friday, June 15, 6: In blending the sordid source material with an earthy evocation of underclass life, Visconti incurred the wrath of the Fascist censors, who promptly suppressed the film. Saturday, June 9, 5: The director turned to Giovanni Testori, Thomas Mann, Dostoevsky, and Arthur Miller for inspiration, achieving a truly epic sweep for this story of a mother and her grown sons who head north from Lucania in search of work and new lives. In one beautifully realized scene after another, we observe a tightly knit family coming apart, one frayed thread at a time. Friday, June 8, 2: Italy, , m; Italian with English subtitles Shady family secrets, incestuous siblings, descents into madness, decades-old conspiracies. Shooting in a decaying mansion set amidst a landscape of ruins, Visconti came upon the great theme he would return to in his late career: Sunday, June 10, 5: As much an aesthete as a political radical, Visconti luxuriates in the aristocratic period trappings—a Technicolor feast of sumptuous gold, lavender, scarlet, and emerald jewel tones—while casting a jaundiced eye on Italian history, class, and nationalism. Tuesday, June 12, 6: Marcello Mastroianni is perhaps unexpectedly perfectly cast as the alienated atheist Meursault, who, due to a series of seemingly random events, shoots an Arab man on an Algerian beach and finds himself on trial for murder. Long unavailable and never released on DVD , The Stranger deserves to be rediscovered for its singular, haunting power. Friday, June 8, 9: Based on a classic novel by Giovanni Verga, La Terra trema was one of the most formally daring of all neorealist works, establishing the template for dozens of later films that would examine the emergence of political consciousness. Saturday, June 9, 2: Sunday, June 10, 8: New Italian Cinema is the leading screening series to offer North American audiences a diverse and extensive lineup of contemporary Italian films. All screenings take place at the Walter Reade Theater at West 65th Street, unless otherwise noted. The films and screenings are: Thursday, May 31, 1: One day after school, year-old Luna Julia Jedlikowska follows her classmate crush Giuseppe Gaetano Fernandez into a possibly enchanted forest - and, just like that, he vanishes. Was he kidnapped by the Mafia, for whom his father used to work as an assassin before he turned informant? Tuesday, June 5, 8: Annie Girardot gives a signature performance as Marie the Ape Woman, an ex-nun whose body is completely covered in black hair. She is discovered at a convent by sleazy entrepreneur Focaccia Ugo Tognazzi , who marries her and swiftly gets her on the freak show circuit to cash in on her distinctive appearance. Sunday, June 6, 6: This wildly ambitious documentary follows four men who work in isolation at remote scientific and industrial sites around the world. Like monks, they carry out their daily tasks in silence and solitude, creating products soon to enter the capitalist cycle of production, consumption, and destruction. Sunday, June 3, 3: Best friends and aspiring restaurateurs Manolo Andrea Carpenzano and Mirko Matteo Olivetti kill a pedestrian in a car accident, kicking off a series of events that enmesh them with the local crime syndicate and push their mutual allegiance to the breaking point. Saturday, June 2, 1: He dreams she will hit it big as a pop singer, but when Sharon loses interest in pursuing this potentially lucrative profession, tensions build between the two. Friday, June 1, 4: In this inventive work of cinematic biography, eight actresses play Cortese at various stages of her career, amidst a kaleidoscopic of film clips and archival footage. In a work that is by turns glamorous, celebratory, and soberly confessional, Cortese often addresses the viewer directly, yielding a direct and engaging portrait of an actress whose offscreen complexity often exceeded the roles she memorably incarnated. Sunday, June 3, 1: After Roman priest Don Giuseppe Mimmo Borrelli begins developing an attraction to an employee of the refugee center where he works, he requests a transfer, settling just north of Naples. There, he finds himself in conflict with the Camorra when he tries to intervene in the local industrial-waste crisis. Working with a mix of professionals and non-actors, Marra renders a scrappy, moving drama about the antagonism between religious belief and the modern world. Sunday, June 3, 8: While taking a cigarette break on a rooftop in Rome, a young baker Giacomo Ferrara notices a curious fowl plummeting from the sky. He crosses from one rooftop to the next to get a closer look, and what he discovers is the beginning of a journey down an urban rabbit hole of incredible situations and bizarre characters including one played by a delightfully off-kilter Lou Castel. Friday, June 1, 6: Jasmine Trinca plays the ironically named Fortunata, a young mother and hairdresser living in Rome whose ambitions are constantly thwarted by inept, needy friends and family baggage. Awaiting a divorce from her soon-to-be-ex-husband and dealing with the resultant issues her 8-year-old daughter has developed, Fortunata begins taking her daughter to a handsome child therapist Stefano Accorsi , with whom she has immediate chemistry. Tuesday, June 5, 6: Saturday, June 2, 3: A woman courageously tries to break the silence in a culture of complicity surrounding sexual harassment in this all-too-timely film from Open Roads veteran Marco Tullio Giordana. Nina Cristiana Capotondi is a single mother who takes a job at a home for the elderly in Lombardy, where the inappropriate verbal treatment of her new manager Bebo Storti turns into outright assault. Ultimately, Nina is one of the most multidimensional and inspiring protagonists in recent Italian cinema. Saturday, June 2, 8: They hit it off immediately, though their romance is curtailed when Andrea later stands her up. So begins a gripping metaphysical murder mystery, in which Naples becomes a shadowy, mysterious labyrinth of desire and memory. Monday, June 4, 8: The story of a group of Italians in Tuscany fleeing the Nazis, who intend to bomb their small town before it can be liberated by the Americans, is an enthralling chronicle of everyday people refusing to sit back and wait for history to redeem them. Thursday, May 31, 3: An enigmatic, nameless man Valerio Mastandrea sits in the corner of a bar, receiving visitor after visitor. They tell him of their profoundest wishes and desires, and he assures them they can have exactly what they want. Italian with English subtitles. Friday, June 1, 8: Wednesday, June 6, 2: Seventeen-year-old Agnese Barbora Bobulova plans to take a vow of chastity to appease her intensely devout mother, but then she encounters year-old parking lot attendant Stefano Simone Liberati while shoplifting a cell phone. Stefano represents for Agnese an alternative way of being in the world beyond the strictures of the church, from which she feels increasingly alienated. Friday, June 1, 2: Monday, June 4, 6: Few filmmakers have better embodied Italian cinema over the past 50 years than the Taviani brothers. Their latest and final film together Vittorio died in April is an elegant tale of young love caught in the whirlwind of war, loosely adapted from a book by Beppe Fenoglio. Their friendship is put to the ultimate test against a backdrop of violent struggle after the two men are swept up in the anti-fascist movement. Saturday, June 2, 6: Wednesday, June 6, 6: Francesca Comencini adapts her own novel for this intelligent, intensely felt romantic comedy. Academics Claudia Lucia Mascino and Flavio Thomas Trabacchi have been a couple for seven years, but their physically and intellectually passionate relationship seems to have reached an impasse, and neither of them understands why. This funny, charming movie reveals the inner work we must do in order to move on with our lives. The Film Society of Lincoln Center is devoted to supporting the art and elevating the craft of cinema. The only branch of the world-renowned arts complex, Lincoln Center shines a light on the everlasting yet evolving importance of the moving image. This nonprofit organization was founded in to celebrate American and international films. Cuomo and the New York State Legislature. In collaboration with the Italian Ministry for the Foreign Affairs, restorations and new prints are added every year. It is also involved with the direct organization of numerous Film Festival around the world: After playing music all his life and at the same time pursuing a career in the pharmacy business, he left Italy and the medical field with a one-way ticket to Chicago and he found fortune in America playing with the top names in the Blues. Luca Chiellini, who brings the Italian tradition with him in his music and his touring, has also his own band and performs internationally as a solo artist on piano and vocals. You can catch Luca Chiellini playing on tour with Toronzo Cannon and with his own project in the Chicago area and all over the world.
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