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Confidential and was drawn to its characters, not the plot. He said, "What hooked me on them was that, as I met them, one after the other, I didn't like them - but as I continued reading, I started to care about them. Helgeland was a long-time fan of Ellroy's novels. When he heard that Warner Bros. Confidential in , he lobbied to script the film. When he finally did get a meeting, it was canceled two days before it was to occur. They found that they not only shared a love for Ellroy's fiction but also agreed on how to adapt Confidential into a film. According to Helgeland, they had to "remove every scene from the book that didn't have the three main cops in it, and then to work from those scenes out. He had seen Hanson's films, The Bedroom Window and Bad Influence and found him to be "a competent and interesting storyteller", but was not convinced that his book would be made into a film until he talked to the eventual director. Brian and Curtis took a work of fiction that had eight plotlines, reduced those to three, and retained the dramatic force of three men working out their destiny. Nathanson loved it, but they had to get the approval from the owner of New Regency, Arnon Milchan. Hanson prepared a presentation that consisted of 15 vintage postcards and pictures of L. The pictures consisted of orange groves, beaches, tract homes in the San Fernando Valley , and the opening of the Hollywood Freeway to symbolize the image of prosperity sold to the public. He also had photographs of jazz musicians Zoot Sims , Gerry Mulligan , and Chet Baker to represent the popular music people of the time. Casting[ edit ] Hanson had seen Russell Crowe in Romper Stomper and found him "repulsive and scary, but captivating". When he read the script, Crowe was drawn to Bud White's "self-righteous moral crusade". Hanson put the actor on tape doing a few scenes from the script and showed it to the film's producers, who agreed to cast him as Bud. Pearce did not like Ed when he first read the screenplay and remarked, "I was pretty quick to judge him and dislike him for being so self-righteous But I liked how honest he became about himself. I knew I could grow to respect and understand him. Besides their national origins, both Crowe and Pearce were relative unknowns in North America, and Milchan was equally worried about the lack of film stars in the lead roles. Hanson cast Crowe and Pearce because he wanted to "replicate my experience of the book. You don't like any of these characters at first, but the deeper you get into their story, the more you begin to sympathize with them. I didn't want actors audiences knew and already liked. He was billed as Simon Baker Denny in the film's credits. Hanson felt that the character of Jack Vincennes was "a movie star among cops", and thought of Spacey, with his "movie-star charisma," casting him specifically against type. What beauty today could project the glamor of Hollywood's golden age? The Bad and the Beautiful , because it epitomized the glamorous Hollywood look; In a Lonely Place , because it revealed the ugly underbelly of Hollywood glamor; Don Siegel 's The Lineup and Private Hell 36 , "for their lean and efficient style";  and Kiss Me Deadly , because it was "so rooted in the futuristic '50s: Before filming took place, Hanson brought Crowe and Pearce to Los Angeles for two months to immerse them in the city and the time period. Confidential was shot on location in the Los Angeles area.
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