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Kind Hearts and Coronets (1949) Location - Gore Court, Otham, Maidstone ME15 8RF
The Autobiography of a Criminal. A major difference was that the main character was the half-Jewish as opposed to half-Italian Israel Rank, and Heffer writes that Mazzini's "ruthless using of people notably women and his greedy pursuit of position all seem to conform to the stereotype that the anti-semite has of the Jew". Good luck to you. Firstly, in that of making a film not noticeably similar to any previously made in the English language. Secondly, that of using this English language Thirdly, that of making a picture which paid no regard whatever to established, although not practised, moral convention. The full couplet reads Kind hearts are more than coronets, And simple faith than Norman blood. The cinematographer Douglas Slocombe masked the lens and filmed over several days to achieve the shot. Alec Guinness was originally offered only four D'Ascoyne parts, recollecting "I read [the screenplay] on a beach in France, collapsed with laughter on the first page, and didn't even bother to get to the end of the script. I went straight back to the hotel and sent a telegram saying, 'Why four parts? When employed as a shop assistant, Louis's suit was ill-fitting and drab; he is later seen in tailored suits with satin lapels, wearing a brocade dressing gown and waiting for his execution in a quilted-collar velvet jacket. Mendleson later recounted that to dress Guinness in his many roles, the costumes were of less importance than make-up and the actor's nuances. This was accomplished by masking the lens. The film was re-exposed several times with Guinness in different positions over several days. Douglas Slocombe , the cinematographer in charge of the effect, recalled sleeping in the studio to make sure nobody touched the camera. He chose to go down with his ship, saying "It was all my fault"; Victoria was sunk, losing over men. Guinness agreed, telling Hamer that as he practiced yoga , he could hold his breath for four minutes. Guinness was attached to the deck by wires to keep him steady and the shot was taken; when Hamer called "cut", the crew began packing up and forgot to release Guinness until four minutes after the scene ended. Along with The Man in the White Suit and The Ladykillers , Kind Hearts and Coronets "unleash[es] transgressive nightmares, fables of subversive, maverick masculine obsession and action, where the repressed and vengeful bubble up to the surface and lead to a resolutions which were only just contained in the moral strictures permissable in Balcon's Ealing cinema at the time". A new ending was added, showing Louis's memoirs being discovered before he can retrieve them; the dialogue between Louis and Sibella was altered to play down their adultery; derogatory lines aimed at the Reverend Henry D'Ascoyne were deleted; and in the nursery rhyme " Eeny, meeny, miny, moe ", "sailor" replaced the word " nigger ". The American version is six minutes shorter than the British original. Lejeune of The Observer. Guinness in his single but most demanding role". In The Spectator called it "the most confident comedy ever to come out of a British studio",  and the actor Peter Ustinov considered it the "most perfect achievement" of Ealing Studios, "a film of exquisite construction and literary quality". The show has all the victims played by the same actor, in the original company Jefferson Mays. Though the plot remains essentially the same, most of the names are changed: As a bonus feature disc one also included the final scene with the American ending.
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