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History[ edit ] The history of cinema in India extends back to the beginning of the film era. The Indian film Industry is the 2nd oldest in the world. With Stevenson's encouragement and camera Hiralal Sen , an Indian photographer, made a film of scenes from that show, namely The Flower of Persia Bhatavdekar , showing a wrestling match at the Hanging Gardens in Bombay, was the first film to be shot by an Indian and the first Indian documentary film. He employed elements from Sanskrit epics to produce his Raja Harishchandra , a silent film in Marathi. The female characters in the film were played by male actors. It was a commercial success. The first silent film in Tamil , Keechaka Vadham was made by R. Nataraja Mudaliar in Elphinstone merged into Madan Theatres Limited in , which had brought many of Bengal's most popular literary works to the stage. Raghupathi Venkaiah Naidu was an Indian artist and a film pioneer. He was the first to build and own cinemas in Madras. He was credited as the father of Telugu cinema. Tickets were affordable to the masses as low as an anna one-sixteenth of a rupee in Bombay with additional comforts available at a higher price. Others brought ideas from across the world. Global audiences and markets soon became aware of India's film industry. Rangachari , a Madras lawyer. Their suggestions were shelved. Reddy released on 31 October He was known as India's Paul Muni. Tollygunge was then the centre of the Indian film industry. Bombay later overtook Tollygunge as the industry's center, spawning "Bollywood" and many other Hollywood-inspired names. Pullaiah with stage actors Vemuri Gaggaiah and Dasari Ramathilakam. Jyoti Prasad went to Berlin to learn more about films. Indramalati is another film he himself produced and directed after Joymoti. The film was directed by Y. Rao and scripted by Balijepalli Lakshmikanta Kavi. The first of its kind was in Madras , called Edison's Grand Cinemamegaphone. This was due to the fact that electric carbons were used for motion picture projectors. Choudhury produced Wrath , which was banned by the British Raj for its depiction of Indian actors as leaders during the Indian independence movement. The film was judged one of the three best films of the year. Pather Panchali , the first part of the trilogy, marked Ray's entry in Indian cinema. One of his most important techniques was bounce lighting , to recreate the effect of daylight on sets. He pioneered the technique while filming Aparajito , the second part of the trilogy. These films expressed social themes mainly dealing with working-class urban life in India; Awaara presented the city as both a nightmare and a dream, while Pyaasa critiqued the unreality of city life. He was a pioneer of method acting , predating Hollywood method actors such as Marlon Brando. Neecha Nagar won, with nominations for Awaara and Pardesi Ray's contemporaries Ghatak and Dutt were overlooked in their own lifetimes, but generated international recognition in the s and s. Asif's Mughal-e-Azam all tied at The FFC's art film orientation came under criticism during a Committee on Public Undertakings investigation in , which accused the body of not doing enough to encourage commercial cinema. The screenwriting duo Salim-Javed , consisting of Salim Khan l and Javed Akhtar r , revolutionized Indian cinema in the s,  and are considered Bollywood 's greatest screenwriters. Salim-Javed By the early s, Hindi cinema was experiencing thematic stagnation,  dominated by musical romance films. Danny Boyle described it as "absolutely key to Indian cinema". Salim-Javed was highly influential in South Indian cinema. In addition to writing two Kannada films , many of their Bollywood films had remakes produced in other regions, including Tamil, Telugu and Malayalam cinema. Acclaimed Malayalam filmmakers industry, included Adoor Gopalakrishnan , G. Chandran and Shaji N. The most successful Indian actress during the s—s, she is considered one of India's greatest and most influential movie stars and is cited as the "First Female Superstar of Indian Cinema". Sridevi is widely considered as the first female superstar of Indian cinema due to her pan-Indian appeal and a rare actor who had an equally successful career in the three major Indian film industries: Hindi , Tamil and Telugu , she's also the only movie star in history of Bollywood to star in the top 10 highest grossers of the year throughout her active period But by the late s, Hindi cinema experienced a period of stagnation, with a decline in box office turnout, due to increasing violence, decline in musical melodic quality, and rise in video piracy, leading to middle-class family audiences abandoning theaters. Its blend of youthfulness, wholesome entertainment, emotional quotients and strong melodies lured family audiences back to the big screen. Cult classic Bandit Queen , Shekhar Kapur received international recognition and controversy. These film's launched a genre known as Mumbai noir ,  urban films reflecting social problems there. The three Khans have had successful careers since the late s,  and have dominated the Indian box office since the s. Madan and Abdulally Esoofally traded in global cinema.
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