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Devil in a Blue Dress 1995 Movie
I know now how rare it is to find situations where the stars align. He, cinematographer Florian Ballhaus and costume designer Patricia Field , drew heavily on their experience in making Sex and the City. Frankel recalls the whole experience as having high stakes for those involved, since for himself and the others behind the camera it was the biggest project they had yet attempted, with barely adequate resources. Carla Hecken, then the studio's executive vice president, had only seen the first hundred pages of manuscript and an outline for how the rest of the plot was to go. But for her that was enough. When it became a bestseller upon publication, elements of the plot were incorporated into the screenplay in progress. Most took their inspiration from the Ben Stiller film Zoolander and primarily satirized the fashion industry. But it was still not ready to film. Elizabeth Gabler, later head of production at Fox, noted that the finished novel did not have a strong narrative. Out of many candidates with experience in comedy, David Frankel was hired despite his limited experience, having only made one feature, Miami Rhapsody , along with some episodes of Sex and the City and Entourage. He was unsure about the property, calling it "undirectable Why do the excellent people have to be nice? Two days later his manager persuaded him to reconsider and look for something he liked that he could shape the film into. He took the job, giving Finerman extensive notes on the script and laying out a detailed vision for the film. Peter Hedges wrote the first draft, but didn't think he could do more; another writer passed. Paul Rudnick did some work on Miranda's scenes, followed by a Don Roos rewrite. I felt I was allowed to do what the movie wanted to be, a Faust story, a Wall Street for ladies. Hire the smart fat girl" line, which she felt summed up the disparity between Andy and the world she found herself in. In a British Academy of Film and Television Arts lecture, she told of a scene that was changed after one of these reviews, where Nigel told Andy not to complain so much about her job. Originally, she had made his speech more of a supportive pep talk ; however one of those acquaintances said that would not happen: There's no reason to be, and they don't have time. It slowly grew from a few lines where the editor disparaged her assistant's fashion sense to a speech about "why she thought fashion was important She is so aware that she is affecting billions of people, and what they pick off the floor and what they are putting on their bodies in the morning. That scene wasn't about the fun of fashion, it was about marketing and business. She was revising it at a nearby Starbucks when she realized that Miranda would describe something not as just blue—chosen as the color for Andy's sweater since it would work best on screen  —but would instead use an exact shade. From a list of shades McKenna sent, Streep picked cerulean; the final speech takes up almost a page of the script, long for a mainstream film. The speech has become one of the film's most memorable moments; "Miranda's signature monologue" to The Ringer. But while Streep, for her part, knew the movie could be very successful, she felt the pay she was being offered for playing Miranda was "slightly, if not insulting, not perhaps reflective of my actual value to the project. This was an interesting way to get back at them. Fox wanted an A-list younger actress, and felt Rachel McAdams , then coming off successes in The Notebook and Mean Girls , would help the film's commercial prospects. However, she declined several offers to play Andy, telling the studio she was trying to avoid mainstream projects for a while. While Frankel liked her enough to not require her to audition , she knew she was not the studio's first choice and had to be patient  other accounts say that she was the only actress considered for the lead. Although she read them in her native British accent despite the character being written as American as she is in the novel, Frankel was interested;  Finerman liked her for her sense of humor. He told her that while he would have cast her just from the tape, the studio wanted to see another audition with her dressed more in character. The director and producer laughed, which the sisters believed help them get the part. They recalled in that they were excited both by being able to work together on camera for the first time, as well as the chance to act opposite Hathaway since they were big fans of the Princess Diaries movies as well. Tucci says he was unaware of this: Simon Baker auditioned by sending a video of himself, wearing the same self-designed green jacket he has on when he and Andrea meet for the first time. Wintour reportedly warned major fashion designers who had been invited to make cameo appearances as themselves in the film that they would be banished from the magazine 's pages if they did so. Wintour's spokespeople deny the claim,  but costume designer Patricia Field says many designers told her they did not want to risk Wintour's wrath. Much to her surprise, he accepted. He also used a handheld camera during some of the busier meeting scenes in Miranda's office, to better convey the flow of action, and slow motion for Andrea's entrance into the office following her makeover. A few process shots were necessary, mainly to put exterior views behind windows on sets and in the Mercedes where Miranda and Andrea are having their climactic conversation. But after six "nightmarish"  weeks of shooting, he had an editor cut a " sizzle reel " of highlights. That convinced the studio to increase the budget to allow for limited shooting overseas Streep did not go as Fox believed it would be too expensive. Hathaway was nervous and goofy, she recalls, since she still had not developed her idea of the part; she described her performance at that point as "[nothing] particularly impressive. The highlight of the session was Streep's first line as Miranda. Instead of the "strident, bossy, barking voice" everyone expected, Hathaway says, Streep silenced the room by speaking in a near whisper. She lost so much weight during shooting that the clothes had to be taken in. In she disclosed to Variety that she took Miranda's soft speaking style from Clint Eastwood: The bouffant hairstyle was inspired by model and actress Carmen Dell'Orefice , [a] which Streep said she wanted to blend with "the unassailable elegance and authority of [French politician] Christine Lagarde. Nevertheless, it took three more days of filming to get the shot of the girls up in the stairwell the way Frankel wanted it, a look she believes was inspired by a similar scene with twin girls in The Shining. In she told Howard Stern that she had overheard a mother saying that to a child in a supermarket during production. Field explained in that "I felt Annie Hathaway was a Chanel girl organically, as opposed to let's say a Versace [or Roberto Cavalli ] girl. She contrasted Andrea and Emily by giving Andrea a sense of style, without much risk-taking, that would suggest clothing a fashion magazine would have on hand for shoots, clothing a recent college graduate with little sense of style would feel comfortable wearing in a fashion-conscious workplace. Those outfits achieve exactly what I was trying to achieve. There's flamboyance, there's real risk-taking, but when I walk into the room, it's not flashy. It's actually very subtle. You look at it and you go, "That shirt, that tie, that jacket, that vest? Miranda's office bears some strong similarities to the real office of Anna Wintour, down to an octagonal mirror on the wall, photographs and a floral arrangement on the desk  Gonchor later told Women's Wear Daily that he had based the set on a photo of Wintour's office he found online; the similarity led Wintour to have her office redecorated after the movie's release. Paris's Arc de Triomphe on Blunt's suggests her aspirations to accompany Miranda to the shows there, while the floral image on Andy's suggests the natural, unassuming qualities she displays at the outset of her tenure with the magazine. For the photo of Andrea with her parents, Hathaway posed with her own mother and David Marshall Grant. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. June Aside from the clothing and accessories, some other well-known brands are conspicuous in the film. Apple computers are used in the Runway offices, consistent with many real publishing companies. Bottles of Italian San Pellegrino mineral water are seen in the Runway offices. Miranda drinks coffee from a nearby Starbucks.
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